From: Obveeus <>
Subject: Re: ALL THE MONEY IN THE WORLD reshoots
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From: Obveeus <>
Newsgroups: rec.arts.movies.current-films,
Subject: Re: ALL THE MONEY IN THE WORLD reshoots
Date: Thu, 9 Nov 2017 09:42:26 -0500
Organization: A noiseless patient Spider
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On 11/9/2017 9:33 AM, moviePig wrote:
> On 11/9/2017 8:46 AM, Obveeus wrote:
>> On 11/9/2017 12:54 AM, Ted Nolan <tednolan> wrote:
>>> In article<>,
>>> anim8rfsk <> wrote:
>>>> In article <ou0o85$pgm$>, Obveeus<>
>>>> wrote:
>>>>> Director Ridley Scott is bringing in Christopher Plumber to reshoot 
>>>>> all
>>>>> of Kevin Spacey's scenes in the film - thus replacing him completely:
>>>>> -money-world-following-assault-allegations/846901001/
>>>> Let's start a petition to get them to never show SUPERGAYMAN RETURNS at
>>>> all ever again.
>>> Why stop at unreleased films?  Why not edit Errol Flynn out of "Robin 
>>> Hood"
>>> and Bing Crosby out of "Going My Way"?
>> I agree.  I understand that Ridley Scott is in a tough position, 
>> afraid that his film will never see the light of day or will be 
>> unfairly blocked from awards consideration, but the overly 'PC'-ness 
>> of this re-shooting is a horrible precedent.
> I don't think it's a tough position for Scott, at least not in the sense 
> that he has any real choice in the matter.  Movies are a business, and a 
> Kevin Spacey flick right now has about the same box-office prospects as 

One choice that Ridley Scott had was simply to wait a year for the 
shockwave to abate.  If, at that time, Spacey has been wiped from the 
Hollywood landscape then do the re-shoots with a replacement actor and 
submit the film for the awards circuit when it will be less likely to be 
avoided 'just because'.

Another choice would be to release the film without pandering to the 
awards circuit.  This sort of sounds like one of those films that is 
aimed at awards rather than profit, anyway...and the award half of that 
equation is just about vanity if Ridley Scott is willing to rework his 
art just in the hopes of getting attention.